A Field Guide to Emotional Chemistry
A Field Guide to Emotional Chemistry
Anger walks in with a clenched jaw.
Disgust follows, perfumed in nope.
They don’t argue - they curate.
Everything gets labeled beneath us.
Contempt is born holding a wine glass it didn’t pay for,
swirling your effort, sniffing for flaws,
spitting out a review that tastes like pennies.
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Fear opens the body like a door kicked inward.
Surprise turns on all the lights at once.
Your bones suddenly feel rented.
Awe arrives as architecture - cathedral ribs, vaulted breath -
a panic attack that learned manners,
asking you to remove your shoes
before stepping on the infinite.
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Anticipation taps its watch, already late to tomorrow.
Joy steals the clock, sells it for confetti.
They high-five in the doorway of maybe.
Optimism is a con artist with excellent posture,
pitching sunrise to a room full of night shifts,
handing out brochures that say trust me
in fonts shaped like ladders.
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Joy laughs first, loud, unembarrassed.
Trust doesn’t flinch.
They sit close enough to share gravity.
Love is a risky merger with no legal department,
two signatures scribbled on the back of a heartbeat,
a mutual decision to be readable
and therefore ruinable.
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Trust lies down, throat visible, a soft target.
Fear inventories exits, names every shadow.
They sign a quiet contract in pencil.
Submission is posture dressed as peace,
a nod that keeps nodding after the sentence ends,
obedience with a pulse,
a yes that checks over its shoulder.
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Disgust scrubs until the sink complains.
Sadness fills it back up.
The mirror fogs and refuses to translate.
Remorse keeps receipts in a waterproof envelope,
replays the moment with director’s commentary,
adds a laugh track, removes it,
decides the silence is more accurate.
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Anticipation loads the future like a spring.
Anger strikes it with a match.
The room learns new verbs.
Aggressiveness doesn’t knock; it edits the doorway,
speaks in exclamation points that bruise,
moves forward like it’s being chased
by a version of itself it refuses to meet.
-----
Surprise drops the glass mid-sentence.
Sadness kneels to collect the pieces.
No one bleeds yet; that’s part of the problem.
Disapproval is a quiet stamp pressed into wet paper,
a face that closes one window at a time,
filing you under not today,
then alphabetizing the distance.
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